Motion picture film composition method

Claim 2

A motion picture film composition method for combining first pictures imaged on a first motion picture film with respective ones of second pictures imaged on a second motion picture film, said method comprising the steps of: (a) converting said first pictures from said first motion picture film into a first video signal; (b) forming a mask signal corresponding with said first video signal; (c) alternately processing said first video signal and said mask signal telecinematographically to form respective picture frames on a third motion picture film from said first video signal and from said mask signal, respectively; (d) exposing a plurality of first latent images on a fourth motion picture film, said plurality of first latent images being obtained from said second motion picture film, as such, and from images in the picture frames of said third motion picture film which are formed from said mask signal corresponding with said first video signal; (e) exposing a plurality of second latent images on said fourth motion picture film, said plurality of second latent images being obtained from images in the picture frames of said third motion picture film which are formed from said first video signal; and (f) developing said fourth motion picture film.

Claim 3

The motion picture film composition method of claim 1, wherein said step of alternately processing said first video signal and said mask signal comprises producing red, green and blue foreground video signals from said first video signal, and recording said red, green and blue foreground video signals in successive frames on a black and white film to form a red-black and white foreground frame, a green-black and white foreground frame and a blue-black and white foreground frame, wherein the step of forming a mask signal comprises forming a male mask video signal corresponding with said first video signal, and wherein the step of alternately processing said first video signal and said mask signal further comprises inverting said male mask video signal to produce a female mask video signal, outline softening said male mask video signal to produce an edge-softened male mask video signal, and recording said male mask video signal, said female mask video signal, and said edge-softened male mask video signal in successive frames on said black and white film to form a female mask frame, a male mask frame and a soft female mask frame.

Claim 4

The motion picture film composition method of claim 1, wherein said step of alternately processing said first video signal and said mask signal comprises producing red, green and blue foreground video signals from red, green and blue components of a foreground image of said first video signal, respectively, and recording said red, green and blue foreground video signals in successive frames on a black and white film to form a red-black and white foreground frame, a green-black and white foreground frame and a blue-black and white foreground frame, wherein the step of forming a mask signal comprises forming a female mask video signal corresponding with said first video signal by a chroma key process, and wherein the step of alternately processing said first video signal and said mask signal further comprises low-contrast processing and line-softening said female mask video signal to produce a low-contrast and line-softened female mask video signal, forming a black level video signal, and recording said female mask video signal, said low-contrast and line-softened female mask video signal and said black level video signal in successive frames on said black and white film to form a female mask frame, a low-contrast and line-softened female mask frame and a black frame.

Claim 5

The motion picture film composition method of claim 1, wherein said step of alternately processing said first video signal and said mask signal comprises producing red, green and blue foreground video signals from said first video signal, and recording said red, green and blue foreground video signals in successive frames on a black and white film to form a red-black and white foreground frame, a green-black and white foreground frame and a blue-black and white foreground frame, wherein the step of forming a mask signal comprises forming a male mask video signal corresponding with said first video signal, and wherein said step of alternately processing said first video signal and said mask signal further comprises inverting said male mask video signal to form a female mask video signal, recording said female mask video signal in three successive frames on said black and white film to form three successive female mask frames thereon, exposing each of the red, green and blue-black and white foreground frames through respective red, green and blue filters on a first single frame of an inverse color film, and exposing each of the three successive female mask frames through respective red, green and blue filters on a second single frame of said inverse color film.

Claim 6

The motion picture film composition method of claim 4, wherein said steps of exposing the red, green and blue-black and white foreground frames and each of the three successive female mask frames on said inverse color film comprise exposing plural groups of said red, green and blue-black and white foreground frames and successive female mask frames to form alternating first and second single frames on said inverse color film.

Claim 7

The motion picture film composition method of claim 1, wherein said step of alternately processing said first video signal and said mask signal comprises producing red, green and blue foreground video signals from red, green and blue components of a foreground image of said first video signal, respectively, and recording said red, green and blue foreground video signals in successive frames on a black and white film to form a red-black and white foreground frame, a green-black and white foreground frame and a blue-black and white foreground frame, wherein the step of forming said mask signal comprises forming a female mask video signal corresponding with said first video signal by a chroma key process, and wherein the step of alternately processing said first video signal and said mask signal further comprises recording said female mask video signal in at least one frame of said black and white film to form a female mask frame.

Claim 8

The motion picture film composition method of claim 1, wherein the steps of exposing a plurality of second latent images on said fourth motion picture film comprises obtaining said second latent images from images in said picture frames formed from said first video signal and said mask signal on said third motion picture film.

Claim 9

A motion picture film composition apparatus for combining first pictures imaged on a first motion picture film with respective ones of second pictures imaged on a second motion picture film, said motion picture film composition apparatus comprising: converting means for converting the first pictures from the first motion picture film into a first video signal; mask signal forming means for forming a mask signal corresponding with said first video signal; motion picture film production means for alternately processing said first video signal and said mask signal telecinematographically to form respective picture frames on a third motion picture film from said first video signal and from said mask signal, respectively; first means for exposing a plurality of first latent images on a fourth motion picture film, said plurality of first latent images being obtained from said second motion picture film, as such, and from images in the picture frames of said third motion picture film which are formed from said mask signal corresponding with said first video signal; second means for exposing a plurality of second latent images on said fourth motion picture film, said plurality of second latent images being obtained from images in the picture frames of said third motion picture film which are formed from said first video signal; and means for developing said fourth motion picture film.

Claim 10

A motion picture film composition apparatus for combining first pictures imaged on a first motion picture film with respective ones of second pictures imaged on a second motion picture film, said motion picture film composition apparatus comprising: converting means for converting the first pictures from the first motion picture film into a first video signal; mask signal forming means for forming a mask signal corresponding with said first video signal; motion picture film production means for alternately processing said first video signal and said mask signal telecinematographically to form respective picture frames on a third motion picture film from said first video signal and from said mask signal, respectively; first means for exposing a plurality of first latent images on a fourth motion picture film, said plurality of first latent images being obtained from said second motion picture film, as such, and from images in the picture frames of said third motion picture film which are formed from said mask signal corresponding with said first video signal; second means for exposing a plurality of second latent images on said fourth motion picture film, said plurality of second latent images being obtained from images in the picture frames of said third motion picture film which are formed from said first video signal; and means for developing said fourth motion picture film.

Claim 11

The motion picture film composition apparatus of claim 8, wherein said motion picture film production means is operative to produce red, green and blue foreground video signals from said first video signal, and to record said red, green and blue foreground video signals in successive frames on a black and white film to form a red-black and white foreground frame, a green-black and white foreground frame and a blue-black and white foreground frame, said mask signal forming means is operative to form a male mask video signal corresponding with said first video signal, and said motion picture film production means is further operative to invert said male mask video signal to produce a female mask video signal, to outline soften said male mask video signal to produce an edge-softened male mask video signal, and to record said male mask video signal, said female mask video signal, and said edge-softened male mask video signal in successive frames on said black and white film to form a female mask frame, a male mask frame and a soft female mask frame.

Claim 12

The motion picture film composition apparatus of claim 8, wherein said motion picture film production means is operative to produce red, green and blue foreground video signals from red, green and blue components of a foreground image of said first video signal, respectively, and to record said red, green and blue foreground video signals in successive frames on a black and white film to form a red-black and white foreground frame, a green-black and white foreground frame and a blue-black and white foreground frame, said mask signal forming means is operative to form a female mask video signal corresponding with said first video signal by a chroma key process, and said motion picture film production means is further operative to low-contrast process and line-soften said female mask video signal to produce a low-contrast and line-softened female mask video signal, to form a black level video signal, and to record said female mask video signal, said low-contrast and line-softened female mask video signal and said black level video signal in successive frames on said black and white film to form a female mask frame, a low-contrast and line-softened female mask frame and a black frame.

Claim 13

The motion picture film composition apparatus of claim 8, wherein said motion picture film production means is operative to produce red, green and blue foreground video signals from said first video signal, and to record said red, green and blue foreground video signals in successive frames on a black and white film to form a red-black and white foreground frame, a green-black and white foreground frame and a blue-black and white foreground frame, said mask signal forming means is operative to form a male mask video signal corresponding with said first video signal, and said motion picture film production means is further operative to invert said male mask video signal to form a female mask video signal, to record said female mask video signal in three successive frames on said black and white film to form three successive female mask frames thereon, to expose each of the red, green and blue-black and white foreground frames through respective red, green and blue filters on a first single frame of an inverse color film, and to expose each of the three successive female mask frames through respective red, green and blue filters on a second single frame of said inverse color film.

Claim 14

The motion picture film composition apparatus of claim 11, wherein said motion picture film production means is operative to expose plural groups of said red, green and blue-black and white foreground frames and said successive female mask frames in alternate first and second single frames of said inverse color film.

Claim 15

The motion picture film composition apparatus of claim 8, wherein said motion picture film production means is operative to produce red, green and blue foreground video signals from red, green and blue components of a foreground image of said first video signal, respectively, and to record said red, green and blue foreground video signals in successive frames on a black and white film to form a red-black and white foreground frame, a green-black and white foreground frame and blue-black and white foreground frame, the mask signal forming means is operative to form a female mask video signal corresponding with said first video signal by a chroma key process, and said motion picture film production means is operative to record said female mask video signal in at least one frame of said black and white film to form a female mask frame.

Claim 16

The motion picture film composition apparatus of claim 8, wherein the second means is operative to expose said plurality of second latent images on said fourth motion picture film such that said plurality of second latent images are obtained from images in said picture frames formed from said first video signal and said mask signal on said third motion picture film.