Guitar mute

Claim 2

A guitar mute, comprising: a. a longitudinally elongated flexible tubular fabric tube having longitudinally extendible elastic members running the longitudinal length thereof; b. releasable grasping means at respective ends of said tube including hook and eye portions of said grasping means with said hook portion of said grasping means being at a first end of said tube and adapted to releasably engage said eye portion of said grasping means when pressed thereagainst, said eye portion being at a remaining end of said tube, said hook and eye portions facing diametrically oppositely with respect to the axis of said tube so that when said tube is configured generally circularly with the tube ends proximate one another, said hook portions may be pressed against said eye portions to retain said tube in said generally circular configuration; c. a longitudinally elongated semi-rigid pad member for distributing muting force over the strings of said guitar when said mute is configured about the neck of the guitar, positioned within said fabric tube proximate the center thereof, extending longitudinally a length less than the minimum distance between outer most strings of said guitar at juncture of said guitar body and said guitar neck.

Claim 3

An adjustable self-compensating, stringed musical instrument transitory mute for damping extraneous string noise, harmonic overring, acousto-electric feedback and sympathetic string vibrations without altering the string fundamental tones, adjustable by the musician, while performing, using single hand, comprising: a. an elongated longitudinally extendible elastic member; b. releasable grasping means proximate at least one end of said elastic member, being adapted to releasably engage a remaining end of said elastic member to configure said elastic member generally circularly about the a neck of said stringed musical instrument; c. a longitudinally elongated semi-rigid pad member for distributing muting force over the strings of said instrument when said mute is circularly configured about the neck of the instrument, secured to said elastic member proximate the center thereof, extending longitudinally along said elastic member and having a length at a surface thereof facing oppositely from said elastic member substantially the minimum distance between outer-most strings of said instrument at juncture of instrument body and neck and including a fabric portion at said surface facing oppositely from said elastic member for mutingly contacting said strings of said instrument when said mute is circularly configured about said neck of said instrument.

Claim 4

An adjustable self-compensating, stringed musical instrument transitory mute for damping extraneous string noise, harmonic overring, acousto-electric feedback and sympathetic string vibrations without altering the string fundamental tones, adjustable by the musician, while performing, using single hand, comprising: a. an elongated longitudinally extendible elastic member; b. releasable grasping means proximate at least one end of said elastic member, being adapted to releasably engage a remaining end of said elastic member to configure said elastic member generally circularly about the a neck of said stringed musical instrument; c. a longitudinally elongated semi-rigid pad member for distributing muting force over the strings of said instrument when said mute is circularly configured about the neck of the instrument, secured to said elastic member proximate the center thereof, extending longitudinally along said elastic member and having a length at a surface thereof facing oppositely from said elastic member substantially the minimum distance between outer-most strings of said instrument at juncture of instrument body and neck and including a fabric portion at said surface facing oppositely from said elastic member for mutingly contacting said strings of said instrument when said mute is circularly configured about said neck of said instrument.

Claim 5

An adjustable self-compensating, transitory guitar mute for damping extraneous string noise, harmonic overring, acousto-electric feedback and sympathetic string vibrations without altering the string fundamental tones, adjustable by the musician, while performing, using single hand, comprising: a. a longitudinally elongated flexible tubularly woven fabric having longitudinally extendible elastic filaments running at least a major portion of the longitudinal length thereof from a central position and being substantially uniformly circumferentially spaced therethroughout; b. releasable flexible fabric grasping means at respective ends of said tubularly woven fabric including hook and eye portions with said hook portion being at a first end of said fabric and adapted to releasably engage said eye portion of said grasping means when pressed thereagainst, said eye portion being at a remaining end of said fabric, said hook and eye portions facing diametrically oppositely with respect to the axis of said tubularly woven fabric so that when said tubular fabric is substantially torodially configured with its longitudinal axis formed generally circularly with the tubular fabric ends proximate one another, said hook portions may be pressed against said eye portions to retain said tubularly woven fabric in said substantially torodoidal configuration; c. a longitudinally elongated semi-rigid pad for distributing muting force over the strings of said guitar when said mute is configured about the neck of the guitar, positioned within said tubularly woven fabric proximate the center thereof, extending longitudinally a length less than the minimum distance between outer most strings of said guitar at juncture of said guitar body and said guitar neck.

Claim 6

An adjustable self-compensating, transitory guitar mute for damping extraneous string noise, harmonic overring, acousto-electric feedback and sympathetic string vibrations without altering the string fundamental tones, adjustable by the musician, while performing, using single hand, comprising: a. a longitudinally elongated flexible tubularly woven fabric having longitudinally extendible elastic filaments running at least a major portion of the longitudinal length thereof from a central position and being substantially uniformly circumferentially spaced therethroughout; b. releasable flexible fabric grasping means at respective ends of said tubularly woven fabric including hook and eye portions with said hook portion being at a first end of said fabric and adapted to releasably engage said eye portion of said grasping means when pressed thereagainst, said eye portion being at a remaining end of said fabric, said hook and eye portions facing diametrically oppositely with respect to the axis of said tubularly woven fabric so that when said tubular fabric is substantially torodially configured with its longitudinal axis formed generally circularly with the tubular fabric ends proximate one another, said hook portions may be pressed against said eye portions to retain said tubularly woven fabric in said substantially torodoidal configuration; c. a longitudinally elongated semi-rigid pad for distributing muting force over the strings of said guitar when said mute is configured about the neck of the guitar, positioned within said tubularly woven fabric proximate the center thereof, extending longitudinally a length less than the minimum distance between outer most strings of said guitar at juncture of said guitar body and said guitar neck.

Claim 7

The guitar mute of claim 3 wherein said hook and eye portions of said grasping means are of different lengths in said longitudinal direction.

Claim 8

The guitar mute of claim 4 wherein said fabric is terry.

Claim 9

The guitar mute of claim 5 wherein said pad is felt.

Claim 10

The guitar mute of claim 6 wherein said pad is of generally rectangular-solid configuration.

Claim 11

The guitar mute of claim 7 wherein said pad is secured to said fabric by stitching proximate the center of the pad.

Claim 12

The guitar mute of claim 8 wherein said tubularly woven fabric tapers from larger diameter at its longitudinal midpoint to lesser diameter at its extremities.

Claim 13

The guitar mute of claim 3 wherein said fabric is terry.

Claim 14

The guitar mute of claim 3 wherein said pad is felt.

Claim 15

The guitar mute of claim 3 wherein said pad is of generally rectangular-solid configuration.

Claim 16

The guitar mute of claim 3 wherein said pad is secured to said fabric by stitching proximate the center of the pad.

Claim 17

The guitar mute of claim 3 wherein said tubularly woven fabric tapers from larger diameter at its longitudinal midpoint to lesser diameter at its extremities.