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US4242935A Expired / Lapsed US ⏱️ 0.0 years remaining

Musical tone generator system using multiple frequency synthesizers

Assignee: CBS Broadcasting Inc
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Filing: 1977-08-25
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Granted: 1981-01-06
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Expires: 1997-08-25
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Abstract

Abstract For generating tones in an electronic musical instrument, there are provided multiple master frequency sources, a different source for each octave, differing in frequency from each other by a factor which differs from two by at least one semitone, each of which is coupled to a respective frequency synthesizer all of which have the same dividing ratios, to divide down the frequency of its master frequency source to pitches of the twelve notes in the intended octave. In one embodiment the sources are separate master clock pulse sources, and in another embodiment a pulse train derived from a single clock pulse source is applied to the frequency synthesizer for the highest octave, and the pulse train applied to each of the other synthesizers is derived from the pulse train supplied to the frequency synthesizer for the next highest octave by dividing the pulse repetition frequency thereof by a factor which differs from two by one or more semitones. The result is that temperament errors are randomized by placing them at different interval locations in each octave, and corresponding musical tones of successive octaves are not locked in phase relationship but have frequencies which differ slightly from pure harmonics, so as to present a pleasant chorus effect when such tones are reproduced simultaneously.

Inventors

  • 👤 Richard H. Peterson
  • 👤 Robert A. Finch

Bibliographic Details

Application Number —
Jurisdiction US
Data Source google_patents
Last Synchronized 2026-10-24 21:45
CPC Classifications
G; G10; G10H; G10H1/00; G10H1/02; G10H1/06; G10H1/08; G10H1/10; G10H5/00; G10H5/02; G10H5/06; Y; Y10; Y10S; Y10S84/00; Y10S84/04

Claims Analysis

Total Claims: 9
Claim 1
Independent Claim 409 words
A tone generator system for an electrical musical instrument, said system comprising, at least first and second frequency synthesizers, one for each of two related octaves, each having an input terminal and a plurality of output terminals, and each being operative to divide the frequency of a signal of appropriate frequency applied to its input terminal to produce at its output terminals a like plurality of pitches corresponding to different notes of the musical scale, said at least first and second frequency synthesizers having like frequency dividing factors associated with like output terminals so as to be operative in response to application thereto of input signals of the same frequency to produce the same pitches at corresponding output terminals thereof, a first source of clock pulses connected to the input terminal of said first frequency synthesizer, said first source having a frequency to produce at a given plurality of the output terminals of said first synthesizer a like plurality of notes of the musical scale in one octave, which notes inherently have slight errors in frequency from corresponding notes of the true equitempered scale which differ in sense and degree from note to note as a function of its frequency dividing factors, and a second source of clock pulses connected to the input terminal of said second frequency synthesizer, the frequency of said second source differing from the frequency of said first source by a factor which differs from a power of two by one or more nominal semitones such that said second frequency synthesizer is operative in response to clock pulses from said second source to produce at the plurality of output terminals of said second synthesizer corresponding to the said given plurality of output terminals of said first synthesizer, a like plurality of notes in a related octave which individually are octavely unrelated to the notes produced at like output terminals of said first synthesizer, which notes also inherently have slight errors in frequency from the true equitempered scale which differ in sense and degree from note to note, with the error from true equitemperament appearing at a given output terminal of said second synthesizer being of the same sense and magnitude as the error from true equitemperament appearing on the corresponding output terminal of said first synthesizer, whereby, because different notes appear on corresponding output terminals of said first and second frequency synthesizers, temperament interval errors inherent in said first and second frequency synthesizers are randomized.
Claim 2
Dependent Claim 409 words
A tone generator system for an electrical musical instrument, said system comprising, at least first and second frequency synthesizers, one for each of two related octaves, each having an input terminal and a plurality of output terminals, and each being operative to divide the frequency of a signal of appropriate frequency applied to its input terminal to produce at its output terminals a like plurality of pitches corresponding to different notes of the musical scale, said at least first and second frequency synthesizers having like frequency dividing factors associated with like output terminals so as to be operative in response to application thereto of input signals of the same frequency to produce the same pitches at corresponding output terminals thereof, a first source of clock pulses connected to the input terminal of said first frequency synthesizer, said first source having a frequency to produce at a given plurality of the output terminals of said first synthesizer a like plurality of notes of the musical scale in one octave, which notes inherently have slight errors in frequency from corresponding notes of the true equitempered scale which differ in sense and degree from note to note as a function of its frequency dividing factors, and a second source of clock pulses connected to the input terminal of said second frequency synthesizer, the frequency of said second source differing from the frequency of said first source by a factor which differs from a power of two by one or more nominal semitones such that said second frequency synthesizer is operative in response to clock pulses from said second source to produce at the plurality of output terminals of said second synthesizer corresponding to the said given plurality of output terminals of said first synthesizer, a like plurality of notes in a related octave which individually are octavely unrelated to the notes produced at like output terminals of said first synthesizer, which notes also inherently have slight errors in frequency from the true equitempered scale which differ in sense and degree from note to note, with the error from true equitemperament appearing at a given output terminal of said second synthesizer being of the same sense and magnitude as the error from true equitemperament appearing on the corresponding output terminal of said first synthesizer, whereby, because different notes appear on corresponding output terminals of said first and second frequency synthesizers, temperament interval errors inherent in said first and second frequency synthesizers are randomized.
Claim 3
Dependent Claim 46 words
A tone generator system according to claim 1, wherein said related octaves are successive octaves, and wherein the frequency of said second source of clock pulses differs from the frequency of said first source by a factor which differs from two by one or more semitones.
Claim 4
Dependent Claim 33 words
A tone generator system according to claim 2, wherein the frequency of said second source of clock pulses is higher by one or more semitones than one-half the frequency of said first source.
Claim 5
Dependent Claim 33 words
A tone generator system according to claim 2, wherein the frequency of said second source of clock pulses is lower by one or more semitones than one-half the frequency of said first source.
Claim 6
Dependent Claim 21 words
A tone generator system according to claim 1, wherein said first and second sources of clock pulses are independent master oscillators.
Claim 7
Dependent Claim 21 words
A tone generator system according to claim 2, wherein said first and second sources of clock pulses are independent master oscillators.
Claim 8
Dependent Claim 62 words
A tone generator system according to claim 2, wherein said second source of clock pulses includes first frequency divider means connected to said first source for dividing the frequency of the clock pulses from said first source by a factor which differs from two by one or more semitones, and means connecting said first frequency divider means to said second frequency synthesizer.
Claim 9
Dependent Claim 241 words
A tone generator system according to claim 7, wherein said system further comprises a third frequency synthesizer having an input terminal and a plurality of output terminals and having the same frequency dividing factors associated with like output terminals as said first and second frequency synthesizers, second frequency divider means connected to said first frequency divider means for dividing the frequency of the clock pulses produced by said first frequency divider means by a factor which differs from two by one or more semitones, and means connecting said second frequency divider means to said third frequency synthesizer, said third frequency synthesizer being operative in response to clock pulses produced by said second frequency divider means to produce at the output terminals thereof corresponding to the said given plurality of output terminals of said first and second frequency synthesizers a like plurality of notes in the octave next lower than that produced by said second frequency synthesizer which individually are octavely unrelated to the notes produced at like output terminals of said first and second frequency synthesizers, which notes also inherently have slight errors in frequency from the true equitempered scale which differ in sense and degree from note to note, with the error from true equitemperament appearing at a given output terminal of said third synthesizer being of the same sense and magnitude as the error from true equitemperament appearing at the corresponding output terminals of said first and second synthesizers.

References Cited (Backward Citations)

US3809787A Cited
US3795754A Cited
US3828109A Cited
US4056995A Cited

USPTO Annuity & Maintenance Windows

Annuity Stage Window Opens Payment Deadline Surcharge Period Until Estimated Fee Status
3.5 Years (Year 4) 1984-01-06 1984-07-07 1985-01-06 $2000.00 Window Closed / Lapsed
7.5 Years (Year 8) 1988-01-06 1988-07-07 1989-01-06 $3760.00 Window Closed / Lapsed
11.5 Years (Year 12) 1992-01-06 1992-07-07 1993-01-06 $7700.00 Window Closed / Lapsed

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